Theatrical Mise-en-Scène and the Prehistory of Cinemaġ900–1912: Early Cinema’s Theatrical Influencesġ915–1928: Silent Cinema and the Star Systemġ975–Present: Mise-en-Scène and the Blockbusterįilm in Focus: Mise-en-Scène in Do the Right Thing (1989)įorm in Action: Mise-en-Scène in Hugo (2011)ĭefining Our Place in a Film’s Material Worldįilm in Focus: Naturalistic Mise-en-Scène in Bicycle Thieves (1948)Ĭhapter 4: Cinematography: Framing What We See Citation preview Part 2: Formal Compositions: film scenes, shots, cuts, and soundsĬhapter 3: Mise-en-Scène: Exploring a Material World Global Film Culture in the Age of Streamingįilm in Focus: Rediscovering Within Our Gates (1920) Viewing Cue: Gilda (1946) and Rome, Open City (1945)įilm in Focus: Taxi Driver and New Hollywood (1976)įrom National to Transnational Cinema in Europe The Changing Contexts and Practices of Film Exhibitionįilm in Focus: Exhibiting Citizen Kane (1941)Ĭhapter 2: History and Historiography: Hollywood and Beyond
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Movie Exhibition: The Where, When, and How of Movie Experiences Marketing and Promotion: What We Want to Seeįilm in Focus: Distributing Killer of Sheep (1977)įorm in Action: The Changing Art and Business of the Film Trailer Introduction: Studying Film: Culture and Experienceįorm in Action: Identification, Cognition, and Film VarietyĬhapter 1: Encountering Film: From Preproduction to Exhibition
Part 1: Cultural Contexts: watching, studying, and making movies
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